Gloria has been Roman's mistress before and after her marriage to Juan, the straight-laced Angustias has been having an affair with her married boss, the grandmother (who never sleeps) fawns over her two sons while disdaining her daughters - three of them managed to leave the dreadful house long ago, including Andrea's mother. Andrea is a sort of 20th-century Alice, fallen into a Wonderland whose characters and rules she fails to understand, and whose maze of family dramas she must reluctantly follow, beset by narrow-mindedness, poverty, violence and hunger. Besides her grandmother, the house is inhabited by her two uncles, Juan and Roman, her aunt Angustias, the maid Antonia, and Juan's wife, Gloria, plus a menagerie of cats, an old dog and a parrot. Nada tells the story of Andrea who, like Laforet herself, leaves her native Canary Islands at the age of 18 to live in her grandmother's house in Barcelona, with the intention of studying literature at the university. Read in Argentina before the military dictatorship, it spoke to us of a state of fear and oppression that we could not know was threatening us read in English today, it retains, within the now alien world it depicts, a note of warning and salutary unease. With Nada, Laforet broke Spanish literature free from the cumbersome shadow of 19th-century prose and the cold, censored rhetoric of Spanish fascism. The author was 23, and it is hard to understand how someone so young, within the isolation of Franco's Spain, should have been able to produce such an accomplished novel, so powerful in its story and so polished in its style.

Nada carmen laforet sparknotes